Unsure if I should share this yet, as the new owners might not have seen or approved it! This was commissioned through Castle Gallery for some collectors who liked a very similar piece but needed a larger painting for their space. So... I enlarged it for them. I can't paint exactly the same scene, even if I tried, so there are differences like the position of the figures, color choices, etc.
The new painting (left) is 24x24 and hopefully sold. The first painting (right) is 16x16 and still available at Castle Gallery!
Remember, if you saw a painting you loved and missed out on, or need a different size, I can always paint something similar, or even create a one-off giclee print in some cases.
This Saturday - November 3 - I am going to open my home studio to local visitors. Stop by and preview my newest works in my city and chef series before I send them off to my galleries across the country.
* See works in progress and learn more about how I work
* Sign up for classes
* Shop sketches, monotype prints, small gems, and studies for larger works to help me clear the clutter for new work and....
* Have a glass of wine and nosh! :-)
Message me for details RSVP
I got to revisit this painting this summer. I wanted to keep the original version so offered to repaint it for an interested buyer. This new version was equally special to me, so I gave the collector a choice between the two and she liked the original. It was a little more dynamic in the angle of the figure and had fewer facial features. This one turned out to be more of a portrait of my daughter at this age. So its a nice one for us to keep. Right now my kiddo is in the stage of life where she doesn't like to see images of herself so I'll save it for her later in life. Scooby thinks its awesome though. Teenagers! ;-)
Doing some searching I've found articles that mostly talk about masters like Monet and Degas and their well-documented vision problems. Some more scientific articles mention yellowing of the lens but that doesn't seem to affect color judgement except in lower light conditions. Another was just an interesting study on how or why artists see things differently.
To help with the closeup vision, I recently got a larger monitor and have mounted it to an arm so I can use it to view larger reference material. The monitor is able to rotate too, so vertical images can be viewed full screen.
I've met people who have had surgery to correct their vision and have actually had their eyes corrected to two different focal lengths so they can see near and far. I know the brain adapts, but how are depth perception or the ability to see dimension and form affected? It seems like it could be a difficulty.
Have some of you noticed changes in vision as you age? Do you have any good solutions? I suppose I either need to paint larger, or I will just continue to get more and more impressionistic. ;-)
I know my mom is tired of hearing me whine about the paint I had at the beach. ;-)
But I have to share this as a public service!
Last year we shopped local and I ended up with Winton and a dreadful set of Daler Rowney. This year I thought maybe I had exaggerated the issues and just didn't paint well and wanted to blame the paint. But it is the paint!!
I REALLY want to encourage people to buy good quality (professional) paint - if beginners tried this stuff, esp. the latter, it would ruin all desire to work with the medium. I have searched all over and I can't find any reference to what the Daler Rowney paint has as a medium. It is almost waxy or gelatinous and won't stick to an oil primed surface. You can't build it up or thin it either. Its very strange.
Student grade paint isn't terrible, but beginners often use it because its less expensive and they think investing in a little pricier paint will cost way too much to waste on their learning efforts. You actually end up using less of the more expensive paint than you think however. The pigments are stronger and the mediums will have no fillers. I use W&N and Gamblin paints almost exclusively. Also Classic Artist Oils - which come in large tubes and are quite good for the cost. Ken Auster used these paints. These tubes will make you feel like you are rich with paint! High quality paint will make working with oils so much more enjoyable and give a beginner a real sense of what the medium is capable of doing. Word!
Six years ago I had a solo show at Tidewater Gallery that was focused on small paintings - "vignettes" as I called them. We had a show catalog made as a companion to that exhibit, but I was really disappointed in the print quality. I've decided to update that book and have a new edition printed. The paper and the color quality of the artwork is much better. It was really nice to revisit those paintings. I focused heavily on my first impression of a scene and created works that spoke to the immediacy of the moment frozen in time. I really want to do another series - "Vignettes II" - which I'll exhibit on my site here. Stay tuned!
You can order the new edition here.
It is also available as a downloadable PDF to my Patrons ~ become one today!
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A Painter's Journal
Chasing the light. Capturing life.
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