I worked on this painting several times. After the first pass, it was nearer the image on the right, but I felt that the shadow side was not dark enough so I did a glaze over the left side buildings. Then it all seemed too magenta and green - and both colors were on the acidic side. The people all seemed too separate, too contrived.
I had seen a painting by Jim Beckner (or was it Kevin Weckbach? - both exceptionally talented artists) and it had stuck with me. My piece was just so average, so segmented, and the colors were way off. So I loaded my brush with lots of blues and scrubbed out the figures and the side - connecting them through the shadows. I pulled my brush through various cools on my palette and scrubbed those over the blues. I painted over the tree and connected those colors and I painted OUTSIDE THE LINES! A dab here, a stroke there. I had fun! So much fun. That was an eye opening experience and it made me want to revisit more work and get more loose and playful.
I'm always saying I want to loosen up - yet I fail so often. I get stuck in that rendering mode. Its the graphic design background - the design and color blocks and neatness carrying over. I need to break those barriers more often.
I'm trying to get motivated. So I set up a still life outside and had a friend (V....) over to lunch with me. We visited and ate al fresco and then I painted the remains of our feast for about an hour. The sun moves surprisingly fast even in that time.
I had the opportunity today to participate in an art performance. Some of Austin's figure models posed for an audience while a small group of artists sketched. The models were the stars- they told stories, talked about body image, other aspects of their lives and what led them to posing, among other things. Some of it was quite moving and personal. And it's an interesting switch to have the models be the focus and the artists subordinate. After sitting for a hour and a half on a short stool quietly sketching, I certainly felt some sympathy for their physical endurance when posing.
The performance is staged by Paper Chairs at the Canopy. Shows continue through next weekend.
When in a funk, the best thing to do is go back to the basics. I haven't been very inspired lately and not able to dive into a full painting. And when faced with one of my own figure sessions, held in my own backyard, I had to slow down and work methodically, as if a beginner.
I first sketched the scene planning my composition and dark/light patterns. Once comfortable with that I began a light line drawing with the brush. Then I started to fill in. I worked thinly, kept palette rather neutral and didn't define small areas. It felt good and worked well enough that I didn't finish the day feeling like a hack!
More on my funk later. Oh joy!
A Painter's Journal
Chasing the light. Capturing life. Rendering it in paint.
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