What a fabulous time we had at the Southeastern Wildlife Expo in Charleston. So much art! And food! And we took the time to really study the area. Despite my cold, I had a blast at the Saturday Soiree and tried, for the first time, steamed oysters. Lots of southern favorites to be had all weekend! V... and I explored and painted. We were invited to join some local and visiting artists to paint on a private island somewhere near James or John's Island. Many thanks to Hilarie L. for inviting us. I dropped my brush in the marsh. Then my painting blew in (on oil paper). There's always one, right?
We painted at night - a first for me. We painted the sunset and sold our little sketches to some passing admirers from Boston. Then we had the honor of doing a workshop for the SC Jr. Duck Stamp competition winners. Joining us was Flo Ulrich - and it made for a sort of reunion for us. V, Flo and I were among the original founders of Plein Air Austin. Some 15 years ago we named our little group and painted together and even had some shows, but didn't make it an official org. until later.
A group of about 20 kids came to our workshop - sharing their winning artwork and watching us demo. I painted from a photo of a Charleston carriage horse in the stables I found. Leave it to me to find the horses in a city (even NYC). :-)
I honestly thought this one I would bomb, but I managed to make it work and hopefully imparted some good info to the kids.
The time lapse is on my Vimeo and Patreon page. Do check it out for free still - and consider subscribing to see more behind the scenes in my studio and hopefully helpful tutorials and live broadcasts - as well as chances to win a painting in monthly drawings, Q&A and more, depending on your subscription level. :-)
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I worked on this painting several times. After the first pass, it was nearer the image on the right, but I felt that the shadow side was not dark enough so I did a glaze over the left side buildings. Then it all seemed too magenta and green - and both colors were on the acidic side. The people all seemed too separate, too contrived.
I had seen a painting by Jim Beckner (or was it Kevin Weckbach? - both exceptionally talented artists) and it had stuck with me. My piece was just so average, so segmented, and the colors were way off. So I loaded my brush with lots of blues and scrubbed out the figures and the side - connecting them through the shadows. I pulled my brush through various cools on my palette and scrubbed those over the blues. I painted over the tree and connected those colors and I painted OUTSIDE THE LINES! A dab here, a stroke there. I had fun! So much fun. That was an eye opening experience and it made me want to revisit more work and get more loose and playful.
I'm always saying I want to loosen up - yet I fail so often. I get stuck in that rendering mode. Its the graphic design background - the design and color blocks and neatness carrying over. I need to break those barriers more often.
A Painter's Journal
Chasing the light. Capturing life.
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