I recently shared how using a kitchen timer changed the way I work on OutdoorPainter.com. My quick start method helped me to more quickly be in the zone and capture my first impression before it got away.
A few fun things happen when working in this way too. Because I'm in a bit of a rush, I don't overmix the paint on the palette and end up with variety in color and brushstrokes on the painting. The mix of washes, drips and scumbled texture helps keep me from getting too tight later on. Its a great exercise and I encourage you to play with the idea - read my "how to" on Outdoorpainter.com.
From the Liliedahl teaser:)
My video is about to release later this month - and I've had a chance to review it! I have to say, I am really pleased! I think I've shared good information and demonstrated how I put paint on in an expressive way. Hopefully, in the almost 3 hours of painting demonstration, you will be inspired to try some of the techniques I share. You can sign up to be notified when its released and they will send you a discount.
I have had the most amazing opportunity! I just filmed a painting instruction video with Liliedahl Art Videos. It was such a professional studio space! I think they had 4 cameras on me - including one over my palette so you can see me mixing probably in split screen. It was quite an experience.
On day one, Monday this week, I arrived to meet Trevor and Scot, who were the principal camera operators/filmmakers. They certainly were helpful in coaching me - especially in talking to the camera. I hate talking about myself, so I really have no idea what I said in the introduction! lol
Once painting, I think things hopefully made more sense. First, we filmed a little short demo where I shared the water soluble graphite I use for gestural sketching (Artgraf). If I hadn't mentioned if here before, its really a fun technique. It helps me when planning my paintings by making me think in big shapes. I have my students spend their first day sketching with this in class.
My wonderful friend (and artist) Bruce Bingham was able to stop in and offer me moral support as well as some coaching on dialog. She has lots of experience with public speaking - and mentoring artists!
Also on the first day, we filmed my materials set up, design and color plans - and then the quick start. The video will be released sometime in June. I will keep you posted!
Last week I did two demo paintings for different art groups here in Austin. The one from life was supposed to be outside in Zilker Botanical Gardens, but the weather didn't cooperate. The model was kind enough to sit in the chilly window ledge so we had the illusion of outdoors and the soft lighting of an overcast sky. When I work with a model, I prefer they sit naturally. I've done enough life drawing and painting from models who look sleepy and unnatural. I encourage the models to talk or read a book. I'm ok with a little movement. I have an impressionist approach so it works for me.
The beach scene I did to demonstrate my quick start technique and impressionist style to a group of artists working in many different mediums. I am quite pleased with where the figures are now. They really don't need much more. But I do plan to reduce the sort of neopolitan ice cream look of the overall canvas. ;-)
I know my mom is tired of hearing me whine about the paint I had at the beach. ;-)
But I have to share this as a public service!
Last year we shopped local and I ended up with Winton and a dreadful set of Daler Rowney. This year I thought maybe I had exaggerated the issues and just didn't paint well and wanted to blame the paint. But it is the paint!!
I REALLY want to encourage people to buy good quality (professional) paint - if beginners tried this stuff, esp. the latter, it would ruin all desire to work with the medium. I have searched all over and I can't find any reference to what the Daler Rowney paint has as a medium. It is almost waxy or gelatinous and won't stick to an oil primed surface. You can't build it up or thin it either. Its very strange.
Student grade paint isn't terrible, but beginners often use it because its less expensive and they think investing in a little pricier paint will cost way too much to waste on their learning efforts. You actually end up using less of the more expensive paint than you think however. The pigments are stronger and the mediums will have no fillers. I use W&N and Gamblin paints almost exclusively. Also Classic Artist Oils - which come in large tubes and are quite good for the cost. Ken Auster used these paints. These tubes will make you feel like you are rich with paint! High quality paint will make working with oils so much more enjoyable and give a beginner a real sense of what the medium is capable of doing. Word!
A Painter's Journal
Chasing the light. Capturing life.
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