I worked on this painting several times. After the first pass, it was nearer the image on the right, but I felt that the shadow side was not dark enough so I did a glaze over the left side buildings. Then it all seemed too magenta and green - and both colors were on the acidic side. The people all seemed too separate, too contrived.
I had seen a painting by Jim Beckner (or was it Kevin Weckbach? - both exceptionally talented artists) and it had stuck with me. My piece was just so average, so segmented, and the colors were way off. So I loaded my brush with lots of blues and scrubbed out the figures and the side - connecting them through the shadows. I pulled my brush through various cools on my palette and scrubbed those over the blues. I painted over the tree and connected those colors and I painted OUTSIDE THE LINES! A dab here, a stroke there. I had fun! So much fun. That was an eye opening experience and it made me want to revisit more work and get more loose and playful.
I'm always saying I want to loosen up - yet I fail so often. I get stuck in that rendering mode. Its the graphic design background - the design and color blocks and neatness carrying over. I need to break those barriers more often.
A Painter's Journal
Chasing the light. Capturing life. Rendering it in paint.
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